Current 3/2016

 

      Currently,

I write up the final version of my doctoral thesis, an artistic PhD in composition. During work, updates on my website slow down.

January 2016/4

29.-30. January 2016
Harvard University Department of Music
festival & symposium Musical Cartographies

Lecture performance/composer’s panel Pia Palme :
SETZUNG 1.2

I present my recent work and research about vocality in the context of cartographic notation. In this audiovisual lecture-performance I merge academic presentation, electronic art and live-performance with my contrabass recorder. A huge score-membrane is part of the setting, as in my work SETZUNG 1.1 from 2014.

January 2016/5

23. January 2016, 8 pm
The Wulf, Los Angeles

Ute Wassermann solo
performs, among other works, my piece
Patterns to punctuate song, with darkness (2015)
for voice with a throat-microfone, electronics and text,

commissioned for Ute Wassermann by the Salzburg Biennale.

January 2016/3

21. January 2016, 8 pm
Kunstinitiative KIG – Kultur in Graz, Lagergasse 98a

Interpenetration Series
http://interpenetration.net/

PUNCTUATED SOUND, 
PATTERNED ON SILENCE.

Claudia Cervenca : voice
Margarethe Mayerhofer-Lischka : double bass
Pia Palme : contrabass recorders, electronics, video.

January 2016/1

18. January 2016, 2:30 – 4:00 pm
KUG Kunst Universität Graz, Florentinersaal
https://www.kug.ac.at

 

Concert & lecture Pia Palme
MUSTER DES ZORNS.

Über Hintergründe und Entstehungsprozesse meiner aktuellen Kompositionen und deren Beziehung zum Barock.

 

Mit:
Ensemble Schallfeld
Anna Clare Hauf, Mezzosopran
Molly McDolan, Oboe da Caccia
Mona Smale, Harfe
Michele Seffino, Assistenz Klangregie

 

VOM RAUSCH IM SCHWARM II (2015/2016)
für Ensemble (Fl, Bkl, Bar Sax, Vl, Vcl, Kb) und Elektronik mit Text

ESHQ (2011/2016)
für Oboe da Caccia solo

MUSTERBUCH für Mezzosopran (2016)
für Mezzosopran mit Kehlkopfmikrophon und Elektronik mit Text

GIB SIE WIEDER a warning commentary on resonance II (2014)
für Harfe und Elektronik (Transducer) mit Text