4 – 6 October 2024
Forever apart, forever inventive
I contribute a critical investigation into mimesis in the context of working with audio scores and discuss how failure and diversity sustain complex creative processes at the intersection of listening, composing, and performing. I look forward to a lively discussion.
@Perception, Listening, Mimesis and Critique. Concepts and Theories of Aesthetic Experience. A meeting and workshop at the University of Graz
in cooperation with the ORF musikprotokoll im steirischen herbst and the PEEK Project Sound as Score, conducted by Elisabeth Schimana