composer : performer : artistic research
Here, I share some thoughts with wonderful Laurence Crane,
about the upcoming project with EXAUDI.
I very much appreciate that my work is now part of the
See under NEW VOICES 2015, ‘an enormous range’ to look at:
17th October 2015, 7:30 pm
The Warehouse, London
EXAUDI EXPOSURE 2015
Ensemble EXAUDI, James Weeks, director and Mira Benjamin, violin perform new works by Luke Nickel, Pia Palme, Michael Perrett, Charlie Usher. Including the premiere of my piece
A work and text for four singers (soprano, countertenor, tenor, bass)
This piece was composed as part of the Sound and Music Portfolio Programme 2015, which I’m happy to be part of.
I produced a handmade edition for the score.
7th October 2015, 8 p.m.
Bratislava, Festival VLNA
in cooperation with ACF Austrian Cultural Forum
http://www.vlna.sk/vlna-nazivo-2015/
www.rakuskekulturneforum.sk
A performance with my new ensemble.
Pia Palme, contrabass recorder & electronics
Claudia Cervenka, voice
Anja Kreysing, accordion
plus: Margarethe Maierhofer-Lischka, double bass
Sound, texts, objects & video.
The four artists merge imaginative sound performance and experimental music with a playful outlook on texts, folklore and space.
2nd October 2015, 6 p.m.
At the BKA Federal Chancellery of Austria, the official awards ceremony for the
takes place.
24th September 2015, 8 p.m.
echoraum Wien
15., Sechshauserstrasse 66
Pia Palme / Claudia Cervenka / Margarethe Maierhofer-Lischka
Performing with contrabass recorder, voice,
double bass, electronics, texts, objects & video.
My new work
for ensemble and a wind-machine,
with a text of mine,
will be premiered:
12th September 2015, 6 p.m.
Gols Weingut Nittnaus, Burgenland, Austria
Ensemble Reconsil in cooperation with Ambitus
New works by Fritz Keil, Rudolf Hinterdorfer, Gutner Waldek, Alexander Wagendristel, Pia Palme, David Kosviner and Elisabeth Harnik.
http://www.ensemblereconsil.com/#!what_we_do/cihc
Rehearsals have already started. I will personally operate the wind-machine, a thoroughly analogue baroque-style theatre-gadget, to re-produce the sound of wind. A number of composers have employed a wind-machine in their pieces, I’d like to mention Schönberg, Milhaud and Cerha here.